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    content: Liotard has here copied another famous marble sculpture. As well as providing a landscape and stormy sky, he has added the river god Peneus, who changed the nymph into a laurel tree to prevent her being ravished by Apollo. Liotard’s attempts to animate marble sculptures are an idiosyncratic contribution to the paragone, the long-running debate as to the relative superiority of painting and sculpture.
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  content: Liotard kopieerde hier nog een beroemd marmeren beeldhouwwerk. Behalve een landschap en een stormachtige lucht voegde hij ook de riviergod Peneus toe, die de nimf Daphne in een laurierboom veranderde om te voorkomen dat zij door Apollo werd belaagd. Liotards pogingen om marmer tot leven te wekken zijn een persoonlijke bijdrage aan de paragone, het aloude debat over de superioriteit van schilder- of beeldhouwkunst.
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content: Schenking van prof. dr. J.W.R. Tilanus, namens zijn echtgenote, mevrouw J.V. Tilanus-Liotard, Amsterdam
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content: Gift of Prof. Dr. J.W.R. Tilanus on behalf of his wife, Mrs J.V. Tilanus-Liotard, Amsterdam
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content: inscriptie, achterzijde: ‘Apollon et Daphné d'après le groupe Antique de Palais Borghese par Liotard’
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content: Apollo en Daphne, naar de beeldengroep door Giovanni Lorenzo Bernini in de Galleria Borghese te Rome. Onderdeel van de collectie pastels.
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      content: 2001-06-15
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content: pastel op papier
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content: weight 8.6 kg
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content: inscription: ‘Apollon et Daphné d'après le groupe Antique de Palais Borghese par Liotard’
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