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        content: schilder: Jacob Cornelisz. van Oostsanen [verworpen toeschrijving]
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    notation: verre églomisé
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      content: ca. 1525 - ca. 1530
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    identified by:
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      content: c. 1525 - c. 1530
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    begin of the begin: 1525-01-01T00:00:00Z
    end of the end: 1530-12-31T23:59:59Z
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    content: omgeving van Jacob Cornelisz. van Oostsanen
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    content: circle of Jacob Cornelisz van Oostsanen
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      content: schilder: omgeving van Jacob Cornelisz. van Oostsanen, Amsterdam (mogelijk)
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      content: painter: circle of Jacob Cornelisz van Oostsanen, Amsterdam (possibly)
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      content: omgeving van Jacob Cornelisz. van Oostsanen
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      content: circle of Jacob Cornelisz van Oostsanen, alias Jacob War van Amsterdam(c. 1472/77-in or before 1533), Amsterdam?, c. 1525-1530, reverse painting, colours on glass

id: https://rkd.nl/artists/18413
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id: http://viaf.org/viaf/22939175
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id: http://www.wikidata.org/entity/Q1029143
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id: http://vocab.getty.edu/aat/300435416
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id: http://vocab.getty.edu/aat/300388256
type: Language

id: http://vocab.getty.edu/aat/300227479
type: Type

type: Formation
influenced by:
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  type: Person
  notation: Jacob Cornelisz van Oostsanen @en
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id: _:b18
type: Name
content: Triptych with the Last Supper and Donors
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id: http://vocab.getty.edu/aat/300312075
type: Type

type: LinguisticObject
content: This triptych is the earliest known and best-preserved verre églomisé painting (a type of reverse painting on glass) from the northern Netherlands. It is still in its original frame. The donors depicted on the wings are Adriana van Rhoon (c. 1450-1527) and Dirck Pietersz Spangert (c. 1465-1549); she was the abbess and he the chaplain and jurist of Leeuwenhorst Abbey in Noordwijkerhout.
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id: http://vocab.getty.edu/aat/300417268
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type: Language

id: https://data.rijksmuseum.nl/200110525
type: LinguisticObject
subject to:
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classified as:
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type: LinguisticObject
part:
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  content: Dit drieluikje is de vroegst bekende en best bewaarde achterglasschildering (de schildering zit aan de achterkant) uit de Noordelijke Nederlanden. Ook zit het nog in zijn originele lijst. De stichters op de zijluiken zijn Adriana van Rhoon (ca. 1450-1527) en Dirck Pietersz Spangert (ca. 1465-1549); zij was abdis van het klooster Leeuwenhorst bij Noordwijkerhout, hij was er kapelaan en jurist.
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part:
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  part:
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    content: Drieluik met het Laatste Avondmaal en stichters
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  part:
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    content: omgeving van Jacob Cornelisz van Oostsanen, alias Jacob War van Amsterdam (ca. 1472/77-in of vóór 1528/33), Amsterdam?, ca. 1525-1530, olieverf achter glas
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type: AttributeAssignment
assigned:
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      content: 34
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assigned property: referred_to_by
classified as:
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referred to by:
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  content: Vol. III (1891) (Peintures sous verre)
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    type: Type

type: AttributeAssignment
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      content: afb. 19
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      content: p. 177
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      content: p. 102, fig. 8
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classified as:
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referred to by:
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  content: middenpaneel
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type: AttributeAssignment
assigned:
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referred to by:
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  content: 2019, vol. 67, no. 1
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id: _:b18
type: Name
content: Triptych with the Last Supper and Donors
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language:
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type: Identifier
content: SK-A-4294
classified as:
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  type: Type
classified as:
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  type: Type
  notation: objectnummer
  notation: object number @en

type: Name
content: Triptych with the Last Supper (centre panel), Adriana van Roon (c. 1450-1527) with St James the Greater (inner left wing), Dirk Pietersz Spangert (c. 1465-1549) with St Mary Magdalen (inner right wing), the coats of arms of Adriana van Roon (outer left wing) and the Spangert house mark (outer right wing)
identified by:
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language:
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translation of:
  id: _:b24
  type: Name
  content: Drieluik met het laatste avondmaal (middenpaneel), de stichteres Adriana van Roon (c. 1450-1527) met de heilige Jacobus de Meerdere (binnenzijde linkervleugel), de stichter Dirk Pietersz Spangert (c. 1465-1549) met de heilige Maria Magdalena (binnenzijde rechtervleugel), het wapenschild van Adriana van Roon (buitenzijde linkervleugel) en het familiewapen van Spangert (buitenzijde rechtervleugel)
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    content: 1
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  language:
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type: Name
content: Triptych with the Last Supper
identified by:
  type: Identifier
  content: 2
  classified as:
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classified as:
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  type: Type
  notation: former title @en
  notation: voormalige titel
language:
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translation of:
  id: _:b22
  type: Name
  content: Drieluik met het laatste avondmaal
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    type: Identifier
    content: 2
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    notation: former title @en
    notation: voormalige titel
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id: _:b22
type: Name
content: Drieluik met het laatste avondmaal
identified by:
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  type: Identifier
  content: 2
  classified as:
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classified as:
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  notation: former title @en
  notation: voormalige titel
language:
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id: _:b23
type: Name
content: Drieluik met het Laatste Avondmaal en stichters
classified as:
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language:
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id: _:b24
type: Name
content: Drieluik met het laatste avondmaal (middenpaneel), de stichteres Adriana van Roon (c. 1450-1527) met de heilige Jacobus de Meerdere (binnenzijde linkervleugel), de stichter Dirk Pietersz Spangert (c. 1465-1549) met de heilige Maria Magdalena (binnenzijde rechtervleugel), het wapenschild van Adriana van Roon (buitenzijde linkervleugel) en het familiewapen van Spangert (buitenzijde rechtervleugel)
identified by:
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  content: 1
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classified as:
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language:
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id: https://id.rijksmuseum.nl/2205619
type: Type
classified as:
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  type: Type
  label: Type of Work
notation: achterglasschildering
notation: reverse painting on glass @en
equivalent:
  id: http://vocab.getty.edu/aat/300053366
  type: Type

id: https://id.rijksmuseum.nl/2201260
type: Type
classified as:
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notation: triptych @en
notation: triptiek
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id: https://id.rijksmuseum.nl/2208
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classified as:
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notation: painting @en
notation: schilderij
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equivalent:
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type: Dimension
identified by:
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  content: drager
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identified by:
  type: Name
  content: support
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classified as:
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  notation: height @en
  notation: hoogte
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referred to by:
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  content: linkerluik
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referred to by:
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  content: left wing
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id: https://id.rijksmuseum.nl/202110525
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id: https://www.rijksmuseum.nl/collection/SK-A-4294/catalogue-entry
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      content: Triptych with the Last Supper (centre panel), Adriana van Roon (c. 1450-1527) with St James the Greater (inner left wing), Dirk Pietersz Spangert (c. 1465-1549) with St Mary Magdalen (inner right wing), the coats of arms of Adriana van Roon (outer left wing) and the Spangert house mark (outer right wing)
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type: LinguisticObject
content: coat of arms, inner right wing, lower left, on the prie-dieu: ‘a black house mark on a silver field’
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content: Drieluik met op het middenpaneel het laatste avondmaal. Judas heeft woedend zijn stoel omgegooid, vooraan kauwt een hond op een been. Op de linker zijpaneel de geknielde vrouwelijke stichter Adriana van Roon (ca. 1450-1527) met de heilige Jacobus. Op het rechter zijpaneel de mannelijke stichter Dirk Pietersz. Spangert (ca. 1465-1549) met heilige Maria Magdalena. Op de buitenzijde van de zijpanelen staan de familiewapens van de stichters.
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    begin of the begin: 2000-12-22T00:00:00Z
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content: wapen (heraldiek), rechterluik: ‘a black house mark on a silver field’
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content: coat of arms, left wing, right on the prie-dieu, on the outer left wing: ‘divided vertically, 1, on a silver field a horizontal red bar charged with a gold demi-lion flanked by 15 oblong green blocks, five over four above the bar and three over two over one below the bar; 2, one half and four whole triangular gold pieces on a red field’ a black house mark on a silver field
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content: wapen (heraldiek), linkerluik: ‘divided vertically, 1, on a silver field a horizontal red bar charged with a gold demi-lion flanked by 15 oblong green blocks, five over four above the bar and three over two over one below the bar; 2, one half and four whole triangular gold pieces on a red field’
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content: drager: hoogte 45 cm (middenpaneel) x breedte 39 cm (middenlpaneel) x hoogte 45 cm (linkerluik) x breedte 20 cm (linkerluik) x hoogte 45 cm (rechterluik) x breedte 18,7 cm (rechterluik)
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content: support: height 45 cm (centre panel) x width 39 cm (centre panel) x height 45 cm (left wing) x width 20 cm (left wing) x height 45 cm (right wing) x width 18.7 cm (right wing)
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type: LinguisticObject
content: oil on glass
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content: ? Commissioned by Adriana van Roon and Dirk Spangert, for the Leeuwenhorst Convent, Noordwijkerhout;{De Moor 1981, pp. 63-78.} …; sale, Adriaan van der Willigen (1766-1841, Haarlem) and his nephew, Dr Adriaan van der Willigen Pz (1810-76, Haarlem), sold on the premises (A.G. de Visser), 20 (21) April 1874 sqq., no. 134, as Anonymous, probably Haarlem, early 16th century (‘Triptyque, composée de trois vitraux, polychromes, rehaussés d’or, par un maître anonyme hollandaise, probablement de Harlem du commencement du 16e siécle […]. Au bas de sa droite, il y a un écusson, avec les armoiries de la famille Oem van Wyngaarden. Sur l’extérieur des portes en bois, sont peintes à l’huile, les mêmes armoiries de l’intérieur’.), fl. 1,200 (after sale), to the dealer J.I. Boas Berg, Amsterdam;{Copy RKD; copy RMA.} ….; sale, Frédéric Spitzer (1815-90, Paris), Paris (P. Chevallier), 17 April 1893 sqq., no. 2116, as German, frs. 5,700, to the museum;{Copy RMA.}.
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content: olieverf achter glas
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id: http://hdl.handle.net/10934/RM0001.COLLECT.10193
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