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    content: From the moment the hoop skirt (crinoline) went out of fashion in Paris in the 1860s, Dutch women had their metal hoops bent backwards into an oval by the blacksmith. A long, slender silhouette with emphasis on the buttocks was now expected and so the bustle (tournure) began its rise, sometimes incorporated into a skirt but also as a loose piece fastened around the waist.
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  content: Vanaf het moment dat de ronde hoepelrok (crinoline) in de jaren 1860 in Parijs uit de mode raakte, lieten Nederlandse vrouwen hun metalen hoepels door de smid naar achteren ombuigen tot een ovaal. Een lang, slank silhouet met nadruk op de billen werd nu verwacht en zo begon de tournure aan zijn opmars, soms verwerkt in een rok maar ook als los onderdeel dat om de taille werd gesloten.
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content: balein: lengte 33 cm (bovenste) x lengte 64 cm (onderste)
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content: Schenking van mevrouw L.J. Peelen-van Veen
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content: Na de ronde crinoline komen ovale hoepelrokken in de mode, die steeds vaker een meer dan natuurlijke verdikking boven de billen hebbe. Dit is het gevolg van het steeds ranker wordende silhouet, waarbij de nadruk op de slepende achterkant komt te liggen. Zon ontwikkelden zich in de loop van de jaren 1870 en 1880 allerlei verschillende modellen tournures, die omstreeks 1884 hun maximale volume bereikten. Zij staan nu vanaf de taille horizontaal af. Dit model kan door middel van de knoopsluiting middenvoor gemakkelijk aangetrokken worden. Het is licht in gewicht en klapt in wanneer men gaat zitten.
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content: Katoen
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content: Een aan de voorzijde openknoopbare onderrok, in een geplooide strook en recht eindigend, heeft een verwijd gedeelte aan de achterzijde, waarin halfcirkelvormige baleinen boogjes horizontaal zijn ingezet, die van boven naar onder groter worden. Bij de taille zijn deze boogjes dichter opeen gevoegd en met een verticale balein in het midden gefixeerd. Een sluiting van bandjes bij de uiteinden der baleinen houdt de kegelvormige verwijding in de gewenste stand.
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content: taille: wijdte 84 cm
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content: Gift of L.J. Peelen-van Veen
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