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    content: De god Bacchus, vergezeld door een sater met een fakkel, ontdekt de slapende Ariadne en wordt verliefd op de koningsdochter: niet toevallig zit de liefdesgod Amor op de voorgrond. De Vries was hofbeeldhouwer van de excentrieke keizer Rudolf II, een liefhebber van licht erotisch getinte kunst. Het reliëf zal dan ook wel voor hem of iemand van zijn hofhouding zijn gemaakt.
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    content: The god Bacchus, accompanied by a satyr with a torch, discovers the sleeping Ariadne and falls in love with the princess. It is hardly a coincidence that Cupid, the god of love, is seated in the foreground. De Vries was court sculptor to the eccentric Emperor Rudolf II, a lover of mildly erotic art. This relief was thus most likely made for the emperor or someone in the imperial household.
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content: Bacchus Finding Ariadne on Naxos
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type: Identifier
content: BK-14692
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  content: cleaned.
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type: Dimension
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value: 7
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id: https://id.rijksmuseum.nl/22013
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notation: brons
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type: Place
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    content: The art and wonder room
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    content: Main building
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    content: 17th Century
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    content: De kunst- en wonderkamer
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    content: 17de Eeuw
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id: https://id.rijksmuseum.nl/202115885
type: VisualItem

type: LinguisticObject
content: Schenking van Kunsthandel N.V. Internationale Antiquiteitenhandel
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content: bronze
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content: hoogte 52,5 cm x breedte 24 cm x dikte 7 cm
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content: …; ? Kunstkammer Emperor Rudolf II (1552-1612), Prague;{Possibly to be identified as _Ain tafl von metal, so aine schlafende Venus_ (A plate of metal, a sleeping Venus) in the 1619 inventory of his Kunstkammer, see G. Kugler et al., _Prag um 1600: Kunst und Kultur am Hofe Rudolfs II._, exh. cat. Essen (Villa Hügel)/Vienna (Kunsthistorisches Museum) 1988, no. 540.} ? looted by Swedish troops, 26 July 1648; ? transferred to the Swedish Crown, Queen Christina I of Sweden (1626-1689), Stockholm;{Possibly to be identified as a wax (!) relief mentioned in the 1642 inventory of Queen Christina I of Sweden: _De Prague. Un tableau representant en cire une femme endormie avec un cupidon._ O. Granberg, _Svenska konstsamlingarnas historia fran Gustav Vasas tid till vara dagar_, vol. 1, Stockholm 1929, p. 208, no. 19. However, this could also allude to an unknown wax cast.} ? her son, King Carl X Gustav of Sweden (1622-1660), 1654;{For the reconstruction of the following provenance see B. Martinius et al., _Skattkammaren på Läckö_, coll. cat. Stockholm (Nationalmuseum) 2006, pp. 33-34, 36 and written communication Magnus Olausson, 1 August 2009.} ? his wife, Hedvig Eleonora van Holstein-Gottorp (1636-1715), 1660; ? her private councilor Count Johan Gabriel Stenbock (1640-1705), Stockholm; ? bequeathed to Stina Lillie (1677-1727), Stockholm; ? her daughter, Ulla Sparre (1711-1768), Castle Åkerö in Bettna, married to Count Carl Gustav Tessin (1695-1770), documented in 1735 and 1761;{He described the relief in his 1735 diary as _ett naketqwinfolck och tvenne två karlar_ (a naked woman and two men) and in his 1761 as _Tarquin et Lucrèce bas relief I bronze af Jean de Boulogne_ (a bronze bas-relief of Tarquin and Lucretia by Giambologna), see B. Martinius et al., _Skattkammaren på Läckö_, coll. cat. Stockholm (Nationalmuseum) 2006, pp. 33-34, 36 and notes 19-20.} ? from whom acquired by Georg Brander, London, April 1763;{B. Martinius et al., _Skattkammaren på Läckö_, coll. cat. Stock…
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  content: Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.
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  content: Deze herkomstzin is geformuleerd met een speciale focus op de periode 1933-45 en zou daarom nog onvolledig kunnen zijn. Er kan aanvullende herkomstinformatie in het museum aanwezig zijn. Indien het object een mogelijk niet-heldere of incomplete herkomst heeft voor de periode 1933-45, ontvangt het museum graag aanvullende informatie met betrekking tot de Tweede Wereldoorlog-periode.
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type: LinguisticObject
content: height 52.5 cm x width 24 cm x thickness 7 cm
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content: In een klassiek vertrek ligt op een met gordijnen behangen hemelbed een naakte jonge vrouw, sluimerend op haar linkerzijde. Zij heeft de hand van de naar boven gebogen linkerarm boven het hoofd en tegen de hoofddoek; met de rechter ondersteunt zij het kussen, waar zij tegenaan ligt. Van links komt de naakte Bacchus, die met beide handen het gordijn oplicht. Hij wordt bij de arm gevat door een satyr, die hem met de fakkel bijlicht. De satyr staat op één poot en heeft de andere gebogen boven het bed. Achter hem een tafel met kleed, waarop een vaas met bloemen; in de architectonische achtergrond zware pijlers en een boog. Op de plint, waarop het bed staat, zit driekwart naar links een Amor. Hij licht het beddekleed op boven de kop van de uil, die een klauw op zijn knie heeft gezet. Voor de Amor liggen boog en pijlkoker, meer naar links de muiltjes van de slaapster. De in Florisstijl uitgevoerde beddepoot gaat terug op een deels beklede menselijke romp. De gordijnen vertonen aan de buitenzijde een bloemmotief; zij zijn afgezet met franje, evenals het tafelkleed, dat een rand met ranken vertoont. Het kussen met kwasten heeft een rand van ranken, het afhangende beddekleed een rand met rozetten.
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    begin of the begin: 1973-01-01T00:00:00Z
    end of the end: 1973-12-31T23:59:59Z

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content: Gift of Kunsthandel N.V. Internationale Antiquiteitenhandel
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content: brons
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id: http://hdl.handle.net/10934/RM0001.COLLECT.24490
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