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    content: In order to make the figures in his paintings as convincing as possible, Rembrandt sometimes made individual studies of the human body. This splendid study of two legs can be connected with various paintings from Rembrandt’s early Leiden period. He succeeded in suggesting the surface of the skin and plasticity of the limbs with red chalk, moistened to give depth to shaded areas in places.
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    content: Om de figuren op zijn schilderijen zo geloofwaardig mogelijk te maken, maakte Rembrandt soms aparte studies van het menselijk lichaam. Deze prachtige studie van twee benen kan in verband worden gebracht met verschillende schilderijen uit Rembrandts vroege, Leidse periode. Met het rode krijt, hier en daar natgemaakt voor de schaduwpartijen, wist hij zowel het huidoppervlak als de plasticiteit weer te geven.
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content: Schenking van de heer C. Hofstede de Groot, Den Haag
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content: red chalk, some areas deliberately rubbed with a finger or wet brush, with white chalk
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content: rood krijt, sommige plekken opzettelijk geveegd met een vinger of een nat penseel, met wit krijt
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content: …; collection Remigius Adrianus Haanen [van Haanen] (1812-94), Vienna;{Note RMA.} ? his student Hermine Lang-Laris (1842-1913), Munich; from whom purchased, with nine other drawings, by Dr Cornelis Hofstede de Groot (1863-1930), The Hague, 1900;{Hofstede de Groot notes, KB.} by whom donated to the museum, 1906, but kept in usufruct; transferred to the museum (L. 2228), 1930
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