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    content: Abraham Bosse (ca. 1604-1676), naar Jean de Saint-Igny (1590-1647), etsen, negen uit serie van twaalf, 1629
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  content: Bosse gaf de gotische kerken van Parijs weer als plekken van vroomheid én van mode. De kerkbezoekers op deze prenten dragen de laatste modes tijdens het bidden en flaneren door de kerk. Zo was bijvoorbeeld een dure soort opengewerkte kant populair geworden: reticella. Het werd gebruikt voor uitbundige kragen en manchetten.
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    content: Abraham Bosse (c. 1604-1676), after Jean de Saint-Igny (1590-1647), etchings, nine from a series of twelve, 1629
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  content: Bosse portrayed the Gothic churches of Paris as sites of piety and fashionability. While praying or merely strutting through the centuries-old architecture, the churchgoers in these prints sport the latest styles. For example, in the few years since Callot’s series (adjacent), an ornate and expensive form of lace cutwork – reticella – had become a popular form of decoration for collars and cuffs.
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content: Een dame zit op een gotische stoel in een kerk te lezen in haar missaal. Ze is gekleed in een vliegerkostuum met wijde, poffende mouwen. Als sieraden draagt ze een halssnoer en oorbellen.
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content: verzamelaarsmerk, verso, gestempeld: Lugt 240
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content: Maakt deel uit van een serie met dertien kostuumprenten van Franse edellieden in de kerk, naar ontwerp van Jean de Saint-Igny. De eerste staat werd ca. 1628-1629 uitgegeven door Jean de Saint-Igny en een tweede staat door François Langlois ca. 1638-1639 (Zie Lothe 2008, nrs. 190-202).
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    begin of the begin: 2018-01-03T00:00:00Z
    end of the end: 2018-01-03T23:59:59Z

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content: collector's mark: Lugt 240
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content: plaatrand: hoogte 150 mm x breedte 95 mm
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content: height 150 mm x width 95 mm
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id: http://hdl.handle.net/10934/RM0001.COLLECT.86165
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