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    content: Rombout Verhulst completed the marble tomb for Baron van Liere and his widow, Maria van Reygersbergh, in 1663. In preparation for it, he made these portrait studies. Willem van Liere was modelled post mortem (after his death) in a stiff pose, probably derived from a painted portrait. The bust of Maria van Reygersbergh, in contrast, has all of the sensitivity and vitality of a portrait made ‘from life’.
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content: Commissioned by Maria van Reygersbergh (1632-1674), Lady of both Katwijks, c. 1662; ? her son Willem van Liere (1653-1706) and his wife Geertruid Anna, Baroness of Wassenaar and Duivenvoorde (1659-1694), 1674; ? their daughter Maria Jacoba van Liere (1682-1718) and her husband Jan Gerrit, Baron of Wassenaar (1672-1723), 1706; …; country house the Hof van Katwijk, Katwijk-Binnen, date unknown;{M. van Notten, ‘Twee portret-bustes door Rombout Verhulst’, _Het Huis Oud en Nieuw_ 5 (1907), pp. 211-16, esp. p. 211, mentions the busts until shortly before his writing were at the Sint-Willibrorduscollege (‘Heerenschool’). This school was located in country house the Hof van Katwijk which was built around 1700 by the Van Liere family.} from the dealer Frederik Muller, Amsterdam, with pendant BK-NM-11957-B, fl. 2,500 for both, to the museum, with the support of the Vereniging Rembrandt, 1906
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content: Baron van Liere, heer van Oosterwijk en beide Katwijken (1620-1654), ziet recht voor zich uit, draagt een snor en imperiale; het krullende haar valt tot over zijn schouders. Om de hals heeft hij boven het harnas een met een strikje vastgemaakte cravate. Het borstbeeld eindigt bij de bovenarmen en gaat onder de borst in een vierkante basis over.
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content: Purchased with the support of the Vereniging Rembrandt
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