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    content: after Jean Michel Moreau (1741-1814), engravings, 1776
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  content: This series of plates centres on the fashion, interiors and etiquette of the wealthy French elite around 1776. We follow a young lady du bon ton (of good taste) from the time of her pregnancy until her return to society life. At home, she is shown in a negligée 1 2 3. For a horseback ride in the Bois de Boulogne, she chooses an Amazonian riding outfit 4, and when paying a visit to Marly, the king’s country residence, she dons a robe à la polonaise 5. The opera demands a robe à la française, with a skirt so wide that she can pass through doorways only sideways 6.
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    content: naar Jean Michel Moreau (1741-1814), gravures, 1776
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  content: Mode, interieur en manieren van de welgestelde Franse bovenlaag rond 1776: daarover gaat deze serie. We volgen een jongedame du bon ton vanaf haar zwangerschap tot aan haar terugkeer in het uitgaansleven. Thuis is zij in negligé 1 2 3. Wanneer zij paardrijdt in het Bois de Boulogne draagt ze een amazonekostuum 4 en de robe à la polonaise als ze op bezoek gaat in Marly, een buitenverblijf van de koning 5. De opera vereist de robe à la française waarvan de rok zo breed is dat zij alleen schrijlings door de deur kan 6.
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content: Interieur met drie dames en een jongeman in gesprek
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content: N'ayez pas peur, ma bonne Amie.
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content: RP-P-OB-43.612
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id: https://id.rijksmuseum.nl/202201967
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content: nummer, linksonder, gegraveerd: ‘No 16’
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content: privilege, midden onder, gegraveerd: ‘A.P.D.R.’
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content: title: ‘N'ayez pas peur, ma bonne Amie’
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content: Prent uit een serie met 38 Franse kostuumprenten, getiteld 'Le Monument du Costume Physique et Moral de la fin du Dix-huitième siècle'. De eerste twaalf prenten, naar ontwerp van Freudenberg, werden eerder uitgegeven onder de titel 'Suite d'Estampes pour servir à l'histoire des Modes et du Costume en France dans le dix-huitième siècle' (1774). De volgende 24 prenten, naar ontwerp van Moreau, werden in twee delen van twaalf prenten uitgegeven in 1777 en 1783 onder de titel 'Seconde suite d'estampes, pour servir à l'histoire des Modes et du Costume en France' en 'Troisième suite d'Estampes (...)'. In 1789 werd de serie als geheel uitgegeven, waaraan nog twee prenten werden toegevoegd. (Zie British Museum, inv.nr. 1925,0114.14). Dit betreft nr. 3 (16) uit de serie 'Seconde suite d'estampes, pour servir à l'histoire des Modes et du Costume en France', waarin het leven van Céphise, een jongedame 'du bon ton' en de Franse mode van haar tijd centraal staan.
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    begin of the begin: 2018-07-11T00:00:00Z
    end of the end: 2018-07-11T23:59:59Z

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content: signatuur en datum, rechtsonder, gegraveerd: ‘Helman sculp. 1776’
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content: verzamelaarsmerk, verso, gestempeld: Lugt 2228
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content: signature: ‘J.M. Moreau inv.’
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content: Céphise is in verwachting. Zij ligt in negligé, in een fraai gemeubileerd vertrek op een sofa. Bij haar zitten twee elegant geklede dames in 'robe à la française', die haar moed inspreken voor de naderende bevalling. De dame rechts draagt de officiële 'paniers' en heeft het haar in een zorgvuldig gekapt kapsel. Links staat een jongeman. Genummerd midden links: No. 16.
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content: collector's mark: Lugt 2228
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content: height 409 mm x width 320 mm
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content: plaatrand: hoogte 409 mm x breedte 320 mm
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content: signatuur, linksonder, gegraveerd: ‘J.M. Moreau inv.’
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content: titel, midden onder, gegraveerd: ‘N'ayez pas peur, ma bonne Amie’
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content: signature and date: ‘Helman sculp. 1776’
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