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    notation: penseel @nl
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    notation: chiaroscuro woodcut
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      content: 1606 - 1640
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    begin of the begin: 1606-01-01T00:00:00Z
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      notation: verlener van privilege @nl
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      content: tekenaar: Peter Paul Rubens, Zuidelijke Nederlanden
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id: https://id.rijksmuseum.nl/2208218
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notation: naar tekening van @nl
notation: after drawing by

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content: naar tekening van Peter Paul Rubens (vermeld op object)
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type: LinguisticObject
content: after drawing by Peter Paul Rubens (mentioned on object)
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  notation: publisher
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  content: uitgever: Peter Paul Rubens (vermeld op object), Zuidelijke Nederlanden
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type: Production
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  content: printmaker: Christoffel Jegher (mentioned on object), Southern Netherlands
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id: https://data.rijksmuseum.nl/200208983
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type: LinguisticObject
part:
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  content: In addition to a host of engravers, Rubens also engaged the woodcutter Christoffel Jegher to reproduce his work. Jegher’s, often sizeable, sheets were printed in two colours and will have mostly served as wall decoration. This proof impression is printed with two blocks: a line block, and a tone block for the ochre tint. In this impression Rubens indicated with brush and wash where the white lines had to be cut away in the tone block.
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  part:
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    content: Christoffel Jegher (1596-1652), after Peter Paul Rubens (1577-1640), woodcut in black and ochre, white and green wash, c. 1640
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    content: Rest on the Flight into Egypt
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    content: Christoffel Jegher (1596-1652), naar Peter Paul Rubens (1577-1640), houtsnede in zwart en oker, penseel in wit en groen, ca. 1640
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part:
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  content: Behalve aan een schare graveurs gaf Rubens ook opdrachten aan de houtsnijder Christoffel Jegher. Diens vaak forse prenten werden in twee kleuren gedrukt, en zullen vaak als wandversiering dienst hebben gedaan. Deze proefdruk is van twee blokken gedrukt: een lijnblok en een toonblok voor de okertint. Op deze afdruk gaf Rubens met penseel aan waar de witte lijnen uit het toonblok moesten worden gesneden.
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type: LinguisticObject
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  format: text/html
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  access point:
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      content: 4 III
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    content: H. Leeflang, De kunst van de houtsnede, Even zeldzaam als onovertroffen, in: Kunstschrift 3 (2009), p. 45, afb. 53.
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    content: Hollstein Dutch 4-3(4)
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used specific object:
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type: Identifier
content: RP-P-OB-4049
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  notation: object number
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id: https://id.rijksmuseum.nl/22040
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classified as:
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  label: Type of Work
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notation: print
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type: Dimension
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  content: blad
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classified as:
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  notation: width
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value: 602
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  notation: height
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value: 458
unit:
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notation: paper
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equivalent:
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id: https://id.rijksmuseum.nl/202208983
type: VisualItem

type: LinguisticObject
content: collector's mark: Lugt 240
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content: height 458 mm x width 602 mm
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content: clair-obscur houtsnede in zwart en bruin en gehoogd met penseel in kleuren; gedrukt van een houten lijnblok en van één houten toonblok
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content: verzamelaarsmerk, verso linksonder, gestempeld: Lugt 240
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content: Onder een boom rust Maria met het Christuskind in haar armen. Op de achtergrond ligt Jozef tegen een boom en graast de ezel in het gras. Op de voorgrond spelen Johannes de Doper en twee engelen met een lam. Een van de engelen maant Johannes met een handgebaar tot stilte en wijst naar het slapende Kind.
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content: blad: hoogte 458 mm x breedte 602 mm
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