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    content: from: Le Monument du Costume, after Jean Michel Moreau (1741-1814), etching, engraving, 1776
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  content: French queens were expected to set an example in the realm of fashion. As the wife of Louis XVI, Marie Antoinette threw herself into this task with enthusiasm. Together with her marchande de modes Rose Bertin and her hairdresser Léonard, she launched many a new fashion. Court etiquette dictated robes de cour – lavishly embellished gowns with wide skirts. When receiving visitors, Marie Antoinette wore a robe à la polonaise 1 2, but preferred an informal, loose-fitting gown when at her own pavilion in Versailles. This chemise de la reine 3 was quickly adopted by other women of the elite.
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  content: Van een Franse koningin werd verwacht dat zij toonaangevend was op het gebied van de mode. Als echtgenote van koning Lodewijk XVI kweet Marie Antoinette zich met verve van deze taak. Samen met haar marchande de modes Rose Bertin en kapper Léonard introduceerde zij vele modes. De door de hofetiquette voorgeschreven robes de cour waren japonnen met brede rok en uitbundige versiering. Bij een bezoek kleedde Marie Antoinette zich in de robe à la polonaise 1 2 en in haar paviljoen in Versailles droeg zij graag een informele, los vallende japon. Deze chemise de la reine 3 werd al snel overgenomen door alle dames van stand.
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content: Céphise, gekleed in een 'robe à la française', loopt door de vestibule van paleis Versailles. De rok is versierd met guirlandes en bouillons. Haar hoge kapsel is versierd met veren en in haar rechterhand houdt ze een gedecoreerde vouwwaaier. Als sieraden draagt ze een collier met hanger en oorbellen. Achter haar enkele hovelingen.
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content: collector's mark: Lugt 2228
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content: Maakt deel uit van een 38-delige serie, getiteld 'Monument du Costume Physique et Moral de la fin du Dix-huitième siècle', uitgegeven in 1789. De eerste twaalf prenten, naar ontwerp van Freudenberg, werden eerder uitgegeven onder de titel 'Suite d'Estampes pour servir à l'histoire des Modes et du Costume en France dans le dix-huitième siècle' (1774). De volgende 24 prenten, naar ontwerp van Moreau, werden in twee delen van twaalf prenten uitgegeven in 1777 en 1783 onder de titel 'Seconde suite d'estampes, pour servir à l'histoire des Modes et du Costume en France' en 'Troisième suite d'Estampes (...)'. In 1789 werd de serie als geheel uitgegeven, waaraan nog twee prenten werden toegevoegd. (Zie British Museum, inv.nr. 1925,0114.14).
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content: verzamelaarsmerk, verso, gestempeld: Lugt 2228
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content: plaatrand: hoogte 409 mm x breedte 324 mm
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id: http://hdl.handle.net/10934/RM0001.COLLECT.150193
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