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    content: Jan Steen (1626 - 1679). The Adoration of the shepherds, c. 1660.Tenderly Mary shows the newborn baby Jesus to the shepherds. They have come to the stable in great numbers, bearing all sorts of gifts. They gaze in reverence at the radiant child in the manger. The stable, in which an ox and a donkey occupy a prominent place, is shrouded in darkness. But outside, the dawn is nigh, a reference to the era heralded by the birth of Jesus. Jan Steen has transformed this biblical tale into an eminently human event. There is the same warmth and humour as in the scenes of everyday life: Joseph accepts a bowl of eggs, while on the left a child is warming up some porridge. From the collection of H. Witsen (Amsterdam), the Lord of Tabley, and others. Purchased in 1947.
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    content: Jan Steen (1626 - 1679). Aanbidding der herders, ca. 1660.Teder toont Maria de pasgeboren Jezus aan de herders. Massaal zijn ze naar de stal gekomen met allerlei geschenken. Eerbiedig kijken ze naar het stralende kind in zijn krib. De stal, waarin os en ezel prominent aanwezig zijn is in duister gehuld. Maar buiten kondigt de dageraad zich aan, een verwijzing naar het tijdperk dat met Jezus' komst aanbreekt. Jan Steen maakte van dit bijbelverhaal een puur menselijke gebeurtenis. Er is dezelfde humor en warmte te vinden als in de taferelen met alledaagse onderwerpen: zoals Jozef die een schaal met eieren in ontvangst neemt; of het kind links dat wat pap wil opwarmen. Afkomstig uit o.m. verz. H. Witsen (Amsterdam) en Lord of Tabley. Aankoop 1947.
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id: https://id.rijksmuseum.nl/20226354
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type: LinguisticObject
content: De aanbidding der herders. Een stoet herders komt de stal binnen om het kind te aanbidden. Op de voorgrond zit Maria met het Christuskind in een bak met stro. Links maakt een herdersjongen een vuur. Achter de os en de ezel geeft een oude vrouw Jozef een mand met eieren. Rechts speelt een herder op de doedelzak, daarnaast een jongen met een haan.
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      content: 2001-03-19
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type: LinguisticObject
content: hoogte 53 cm x breedte 64 cm
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content: height 53 cm x width 64 cm
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type: LinguisticObject
content: olieverf op doek
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type: LinguisticObject
content: oil on canvas
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content: Inv.;… ;sale, Dowager Lady Nunburnholme et al. [anonymous section], London (Christie’s), 31 March 1933, no. 103, 300 gns;{Copy RKD; in the catalogue, it is wrongly stated that the madonna is on the left and the ox is on the right.}…; the dealer W.M. Sabin, London, 1933;{Kirschenbaum 1977, p. 127, no. 31, 31A, 37.} from whom, £ 625, to the dealer D. A. Hoogendijk, Amsterdam, 1934;{RKD, The Hague, inv. no. 460, Kunsthandel D.A. Hoogendijk Archive, inventory card no. OS 999.} from whom, fl. 10,000, to Mr Andries Adriaan van Sandick (1898-1962), Rotterdam and Amsterdam, 1937;{RKD, The Hague, inv. no. 460, Kunsthandel D.A. Hoogendijk Archive, inventory card nr. OS 999.} from whom, fl. 23,500, to the museum, 1947
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  content: Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.
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  content: Deze herkomstzin is geformuleerd met een speciale focus op de periode 1933-45 en zou daarom nog onvolledig kunnen zijn. Er kan aanvullende herkomstinformatie in het museum aanwezig zijn. Indien het object een mogelijk niet-heldere of incomplete herkomst heeft voor de periode 1933-45, ontvangt het museum graag aanvullende informatie met betrekking tot de Tweede Wereldoorlog-periode.
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id: http://hdl.handle.net/10934/RM0001.COLLECT.5501
type: HumanMadeObject

id: https://id.rijksmuseum.nl/260239
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id: https://id.rijksmuseum.nl/260251
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id: https://id.rijksmuseum.nl/261208
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