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    begin of the begin: 1892-01-01T00:00:00Z
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      content: draftsman (artist): Jan Toorop
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    content: De titel is ontleend aan een brief van apostel Paulus en heeft betrekking op de overwinning van het Geloof op de Dood. In de tekening komt de Dood als verlossing van het aardse lijden. Bij een open graf ligt het lichaam van een man omstrengeld door stekelige takken, het symbool van het kommervolle aardse bestaan. Twee serafijnen (engelen) zweven boven het graf en bevrijden de dode van die takken.
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      content: Jan Toorop (1858-1928), zwart en gekleurd krijt en potlood op bruin papier, 1892
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      content: O Grave, where is thy Victory?
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      content: O Grave, where is thy Victory?
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    part:
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      content: Jan Toorop (1858-1928), black and coloured chalk, and pencil on brown paper, 1892
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    content: The title of this drawing is taken from a letter by wthe Apostle Paul concerning the victory of Faith over Death. Here Death appears as the deliverer from earthly suffering. Lying near an open grave is the body of a man entwined with thorny branches, the symbol of man’s sorrowful earthly existence. Two seraphim (angels) float above the grave and free the dead man from these branches.

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    content: G. van Wezel, 'De corresponderende sylfiden van Jan Toorop', in: Kunstschrift 53 (aug/sept 2009), nr. 4, p. 37, afb. 44
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id: _:b10
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content: O Grave, where is thy Victory?
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type: Name
content: Twee vrouwen naast een man en een open graf
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type: Identifier
content: RP-T-1960-243
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content: O Grave, where is thy Victory?
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type: Name
content: O Grave, Where Is Thy Victory
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id: https://id.rijksmuseum.nl/220363
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notation: drawing
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type: Dimension
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  notation: width
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value: 753
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value: 604
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id: https://id.rijksmuseum.nl/22043
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notation: potlood @nl
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notation: krijt @nl
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notation: paper
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id: https://id.rijksmuseum.nl/202372898
type: VisualItem

type: LinguisticObject
content: Twee vrouwen halen de doorntakken weg die een stervende (of dode) man overwoekeren. De man ligt naast een geopend graf.
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language:
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type: LinguisticObject
content: ..; collection Hidde Nijland, 1892;{Note RMA.}…; collection Wilhelmus Josephus Rudolphus Dreesmann (1885-1954), Amsterdam, 1929;{File RMA.} his sale et al. [section W.J.R. Dreesmann], Amsterdam (F. Muller), 6 December 1960 sqq., no. 47, fl. 1,600, to the museum
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  content: Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.
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referred to by:
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  content: Deze herkomstzin is geformuleerd met een speciale focus op de periode 1933-45 en zou daarom nog onvolledig kunnen zijn. Er kan aanvullende herkomstinformatie in het museum aanwezig zijn. Indien het object een mogelijk niet-heldere of incomplete herkomst heeft voor de periode 1933-45, ontvangt het museum graag aanvullende informatie met betrekking tot de Tweede Wereldoorlog-periode.
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language:
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type: LinguisticObject
content: signatuur en datum, linksonder, handgeschreven: ‘Jan Toorop 92’
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type: LinguisticObject
content: hoogte 604 mm x breedte 753 mm
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content: height 604 mm x width 753 mm
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type: LinguisticObject
content: potlood, zwart en gekleurd krijt, op geelbruin papier
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type: LinguisticObject
content: signature and date: ‘Jan Toorop 92’
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id: http://hdl.handle.net/10934/RM0001.COLLECT.306632
type: HumanMadeObject

id: https://id.rijksmuseum.nl/260214
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id: https://id.rijksmuseum.nl/260239
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id: https://id.rijksmuseum.nl/26133
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