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    content: De oude titel (tussen haakjes) verwijst naar de kreten ‘fraai!’ en ‘curieus!’ waarmee rondtrekkende artiesten de aandacht trokken. Hier toont een artiest een houten drieluik met figuren uit een ridderroman, en hij vertelt er ongetwijfeld het verhaal bij. Willem van Mieris was ‘fijnschilder’: hij verbeeldde de scène zeer gedetailleerd en in een gladde stijl. Het schilderij is eigenlijk ook een soort kijkdoos.
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    content: The old Dutch title (in parentheses) refers to the cries ‘beautiful!’ (fraai) and ‘extraordinary!’ (curieus) with which itinerant performers announced themselves. Here a performer shows a wooden triptych with characters from a chivalric romance, while undoubtedly recounting the tale to those gathered around. Willem van Mieris was a ‘fine painter’, meaning that he rendered the scene in a highly detailed and refined manner. The painting is actually also a kind of peepshow.
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content: De rarekiek. In een interieur toont een rondtrekkende Savooiaard een kijkkast ten overstaan van een familie met kinderen. In de rarekiek zijn scènes uit de Passie van Christus voorgesteld. De kamer staat vol huisraad: een spinnewiel, manden met fruit, speelgoedmolentjes, een mand, sloffen en een emmer met een bezem. Tegen de rechterwand staat een rij vaten waarop iemand een bord met vis heeft neergezet. Aan de rechtermuur een schilderij, tegen de achterwand een rek met kruiken. Aan het plafond hangt een vogelkooi.
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content: height 58 cm x width 49 cm
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content: signature and date: ‘W. Van Mieris Fec Ano 1718’
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content: olieverf op paneel
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content: Aankoop met steun van de Vereniging Rembrandt, mede dankzij het Prins Bernhard Fonds en het Rijksmuseum Fonds
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content: De rarekiek (door de kunstenaar ' 't Fraay Curieus' genoemd). In een interieur toont een rondtrekkende Savooiaard een kijkkast ten overstaan van een familie met kinderen. In de rarekiek zijn scènes voorgesteld, wellicht uit een ridder- of andere populaire roman. De kamer staat vol huisraad: een spinnewiel, manden met fruit, speelgoedmolentjes, een mand, sloffen en een emmer met een bezem. Tegen de rechterwand staat een rij vaten waarop iemand een bord met vis heeft neergezet. Aan de rechtermuur een schilderij, tegen de achterwand een rek met kruiken. Aan het plafond hangt een vogelkooi.
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    label: brief text
language:
  id: http://vocab.getty.edu/aat/300388256
  type: Language

type: LinguisticObject
content: Purchased with the support of the Vereniging Rembrandt, with additional funding from the Prins Bernhard Fonds and the Rijksmuseum Fonds
classified as:
  id: http://vocab.getty.edu/aat/300026687
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  classified as:
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    label: brief text
language:
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  type: Language

type: LinguisticObject
content: signatuur en datum, op de latei boven de deur: ‘W. Van Mieris Fec Ano 1718’
classified as:
  id: http://vocab.getty.edu/aat/300435414
  type: Type
  classified as:
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    type: Type
    label: brief text
language:
  id: http://vocab.getty.edu/aat/300388256
  type: Language

type: LinguisticObject
content: Inv.; sale, Robert Hamilton(Norwood, Surrey), London (Christie's), 15 March 1832, no. 317, to Charles Heusch, London; his son, F. Heusch, London; from whom to Lionel Nathan de Rothschild (1808-1879); ? by descent through the family to Baron Alfred de Rothschild (1842-1918), Exbury, Hampshire; from whom to John Enrico Fattorini (1878-1949), Bradford, by 1944;…; collection Mrs J.E. Leacock, Amsterdam, before 1956;…; anonymous sale, Amsterdam (Christie's), 2 April 1976, no. 14;….; the Leger Galleries, London, 1977;…; private collection Engeland, 1989;…;{Provenance 1832-1998, reconstructed by Noortman 2007, cat. no. 11.} from the dealer R. Noortman, Maastricht, fl. 1,184.375, to the museum, with support from the Vereniging Rembrandt and the Rijksmuseum Fonds, 1998
classified as:
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  type: Type
  classified as:
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    label: brief text
referred to by:
  type: LinguisticObject
  content: Please note that this provenance was formulated with a special focus on provenance research for the years 1933-45 and could therefore be incomplete. There may be more (mostly earlier) provenance information known in the museum. In case this item has an uncertain or incomplete provenance for the years 1933-45, the Rijksmuseum welcomes information and assistance in the investigation and clarification of the provenance of all works during that era.
  language:
    id: http://vocab.getty.edu/aat/300388277
    type: Language
referred to by:
  type: LinguisticObject
  content: Deze herkomstzin is geformuleerd met een speciale focus op de periode 1933-45 en zou daarom nog onvolledig kunnen zijn. Er kan aanvullende herkomstinformatie in het museum aanwezig zijn. Indien het object een mogelijk niet-heldere of incomplete herkomst heeft voor de periode 1933-45, ontvangt het museum graag aanvullende informatie met betrekking tot de Tweede Wereldoorlog-periode.
  language:
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    type: Language
language:
  id: http://vocab.getty.edu/aat/300388277
  type: Language

type: LinguisticObject
content: oil on panel
classified as:
  id: http://vocab.getty.edu/aat/300435429
  type: Type
  classified as:
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    label: brief text
language:
  id: http://vocab.getty.edu/aat/300388277
  type: Language

id: http://hdl.handle.net/10934/RM0001.COLLECT.355871
type: HumanMadeObject

id: https://id.rijksmuseum.nl/260239
type: Set

id: https://id.rijksmuseum.nl/2621504
type: Set

id: https://id.rijksmuseum.nl/260251
type: Set

id: https://id.rijksmuseum.nl/260238
type: Set

id: https://id.rijksmuseum.nl/261208
type: Set

id: https://id.rijksmuseum.nl/260212
type: Set

id: https://id.rijksmuseum.nl/260215
type: Set

id: https://id.rijksmuseum.nl/260214
type: Set

id: https://id.rijksmuseum.nl/2621493
type: Set