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content: …; collection Paul Praun (1548-1616), Nuremberg, first documented in his _Praunsche Kabinett_ in 1616;{Nuremberg, Stadtarchiv, Familienarchiv von Praun, E 28 II, no. 224, inventory _Praunsche Kabinett_ 1616, no. 362: _Ein Kopf, Johan Gregori conterfect, eines schuchs hoch_, see K. Achilles-Syndram, _Die Kunstsammlung des Paulus Praun: Die Inventare von 1616 und 1719_, Nuremberg 1994, p. 150, p. 147, no. 362. Not identifiable in the 1719 inventory of the _Praunsche Kabinett_ (Nuremberg, Stadtarchiv, Familienarchiv von Praun, E 28 II, no. 1477); possibly identical to C.T. von Murr, _Description du Cabinet de Monsieur Paul de Praun à Nuremberg_, Nuremberg 1797, no. 86 (disputed by Achilles-Syndram).} acquired (with the _Praunsche Kabinett_) by the dealers G. Buttner and J. F. Frauenholz (1758-1822) and the collector Hans Albrecht von Derschau (1754-1824), Nuremberg, 1801;{P.J. Lebrooy, _Michelangelo Models Formerly in the Paul von Praun Collection_, Vancouver 1972, pp. 31-32; R. Schoch, ‘“Die kostbarste unter allen nürnbergischen Kunstkammern”: Glanz und Ende des Praunschen Kabinett’, in K. Löcher et al., _Kunst des Sammelns: Das Praunsche Kabinett, Meisterwerke von Dürer bis Carracci_, exh. cat. Nuremberg (Germanisches Nationalmuseum) 1994, pp. 25-34, esp. pp. 32-33; E. Luther, _Johann Friedrich Frauenholz (1758-1822): Kunsthändler und Verleger in Nürnberg_, Nuremberg 1988, pp. 74-75; F. Scholten, ‘Dusting off Terracottas: A Critical Reception History of Johan Gregor van der Schardt’s Artistic Legacy’, _Simiolus_ 41 (2019), no. 3, pp. 131-52, esp. p. 135.} acquired (with the _Praunsche Kabinett_) by the dealers G. Buttner and J.F. Frauenholz (1758-1822) and the collector Hans Albrecht von Derschau (1754-1824), Nuremberg, 1801; acquired by Anton Paul Heinlein (1715-1803), Nuremberg, by 1803;{F. Scholten, ‘Dusting off Terracottas: A Critical Reception History of Johan Gregor van der Schardt’s Artistic Legacy’, _Simiolus_ 41 (2019), no. 3, pp. 131-52, esp. p. 136 and not…
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content: Zelfportret in de vorm van een buste, van witbakkende terracotta en polychrome beschildering. Het portret heeft ontblote schouders en een zijwaarts gericht gelaat. Op de achterzijde een etiket met in rood-bruine inkt: JEAN DE BOULOGNE/COLLECTION PAUL DE PRAUN met het nummer 296.
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id: http://hdl.handle.net/10934/RM0001.COLLECT.356254
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