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    notation: gelatin silver print @en
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      content: c. 1925 - c. 1930
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      content: fotograaf: Maximovitch (vermeld op object), Leningrad
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    content: Photographers could first begin taking photographs at night as technology made headway in the 20th century. They were facilitated by the emergence of lit shop windows, electric street lighting, and illuminated signs. As a result, big cities, such as Saint Petersburg, were no longer ever really pitch black. Photographers frequently depicted these sources of light – symbols of modern city life.
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      content: Maximovitch? (1886-1966), gelatin silver print, Saint Petersburg, c. 1930-1940
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    content: Toen de techniek het in de 20ste eeuw toeliet, konden fotografen voor het eerst bij nacht opnamen maken. Ze werden daarbij geholpen door de opkomst van verlichte etalages, elektrische straatverlichting en lichtreclames. Die zorgden ervoor dat het in grote steden als Sint-Petersburg nooit meer volmaakt donker was. Fotografen hebben die lichtbronnen – symbolen van het moderne stadsleven – veelvuldig in beeld gebracht.
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      content: Maximovitch? (1886-1966), ontwikkelgelatinezilverdruk, Sint-Petersburg, ca. 1930-1940
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      content: Nachtscène

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id: https://id.rijksmuseum.nl/220951
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notation: barietpapier
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id: https://id.rijksmuseum.nl/202420658
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content: Kruising van twee straten, met tram en auto, bij nacht in Leningrad.
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type: LinguisticObject
content: ontwikkelgelatinezilverdruk
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type: LinguisticObject
content: foto: hoogte 118 mm x breedte 139 mm
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type: LinguisticObject
content: inscription: ‘из архива/ Фот. максимовича’
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content: opschrift, verso, gestempeld: ‘из архива/ Фот. максимовича’
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content: height 118 mm x width 139 mm
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id: http://hdl.handle.net/10934/RM0001.COLLECT.369956
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id: https://id.rijksmuseum.nl/260251
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