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    begin of the begin: 1705-01-01T00:00:00Z
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      content: musical instrument maker: Barak Norman, London
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      content: muziekinstrumentbouwer: Barak Norman, Londen
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    content: Barak Norman’s viols have been described as made in ‘the elegant English style’. Around 1700 Norman preferred to make cellos, though bass viols continued to be made. The viol has frets, while the cello does not have this facility. The viol also has more strings. Inside, the viol is related to lute building traditions, the cello belongs to the tradition of violin building.
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      content: Barak Norman (1651–1724), London, 1705, maple, spruce, beech and ebony, gut
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    content: Barak Normans gamba’s zijn wel beschreven als instrumenten in ‘de elegante Engelse stijl’. Omstreeks 1700 maakte Norman liever cello’s, maar hij bleef ook basgamba’s maken. Een gamba heeft fretten, terwijl een cello deze hulpmiddelen niet heeft. Verder heeft de gamba meer snaren. Van binnen is de gamba verwant aan de luit. De cello hoort in de vioolbouwtraditie thuis.
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      content: Barak Norman (1651–1724), Londen, 1705, esdoorn-, naald-, beuken- en ebbenhout, darm

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    content: Peter Tourin, 'Viollist: A Comprehensive Catalogue of Historical Viole Da Gamba in Public and Private Collections', Duxbury, Verm.: P. Tourin, 1979
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    content: Gesina Liedmeier; Michael Latcham, 'Two bass viols labelled John Roos at the Gemeentemuseum, The Hague', The Galpin Society Journal 62, (Apr., 2009), p. 167-181, 198-199: 167, 175
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    content: L.G. Langwill, 'Musikinstrumenten-Sammlung des Rijksmuseum, Amsterdam ausgestellt im Gemeente Museum, Den Haag 9. Oktober - 24. November 1952', Glareana: Nachrichten der Gesellschaft der Freunde alter Musikinstrumente 2, nr. 2 (1953), p. 1-3: 2
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value: 37
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value: 24
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