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  content: Aan het begin van de 20ste eeuw raakten veel Europese kunstenaars geïnteresseerd in sculpturen uit Afrika. Dat gold ook voor medeoprichter van Die Brücke, Karl Schmidt-Rottluff. De belangstelling hing samen met een verlangen naar een veronderstelde ‘primitieve’ tijd die zich onderscheidt van het kapitalisme en de industrie van de Europese samenleving.
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  content: At the beginning of the 20th century, many European artists became fascinated by African sculptures. This was also the case for Karl Schmidt-Rottluff, co-founder of Die Brücke. This interest was related to a longing for a presumed ‘primitive’ time removed from the capitalism and industrialism of European society.
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