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id: http://vocab.getty.edu/aat/300379012
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content: emailleur: Antoine Tard, Parijs
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    content: Alexis Falize (1811-1898), Parijs, ca. 1867-1870, email: Antoine Tard, goud, email cloisonné
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  content: Zowel de voorstelling van een kraanvogel als de gebruikte emailleertechniek grijpt terug op de Japanse kunstnijverheid. Kort voordat de beroemde Parijse edelsmid Falize deze fles maakte, waren voor het eerst Japanse kunstvoorwerpen in Parijs getoond. Deze waren niet voor de export naar het westen maar voor de Japanse markt zelf gemaakt. De invloed op Falize was vrijwel direct na de tentoonstelling in zijn werk te zien.
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type: LinguisticObject
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  content: Both the crane motif and the type of enamel technique derive from Japanese applied art. Shortly before the renowned Paris jeweller Falize made this little bottle, Japanese objets d’art were exhibited in Paris for the first time. These items had not been made for export to the West but for the Japanese internal market. The Japanese influence on Falize became evident in his work almost immediately after the exhibition.
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    content: Alexis Falize (1811-1898), Paris, c. 1867-1870, enamel: Antoine Tard, gold, cloisonné enamel
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    content: Femke Truijens, 'De aanwinst : 19de-eeuwse reukzoutflacon', Oog 3 (2009) nr. 4, p. 100-101.
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    content: Bulletin van het Rijksmuseum 57 (2009) nr. 3, p. 361-363, afb. 11.
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    content: G. Blum, Alexis und Lucien Falize, Zwei pariser Schmuckkünstler und ihre Bedeutung für den Schmuck des Historismus, dissertatie Keulen 1996, p. 90.
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content: Flacon met een geëmailleerde voorstelling van een kraanvogel in een bloeiende boom
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