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  content: Fans, parasols, opera gloves, fashionable hats, small toques garnished with feathers, wristwatches, compact bracelets, and luxuriously crafted lighters: there was a dazzling variety of accessories in the 1920s. Small bags could be suspended from a belt, or a glove. Walking sticks and the shafts of umbrellas and parasols were often embellished with carving clearly inspired by African and Indian art. And Russian influence was evident when it came to combs made of mother-of-pearl and ivory.
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  content: Waaiers, parasols, lange handschoenen, modieuze hoeden, kleine toques met veel veren, armbandhorloges, armbanden met poederdoosjes en luxueus uitgevoerde aanstekers: er was een enorme variëteit aan accessoires in de jaren 1920. Kleine tasjes konden aan de ceintuur of aan de handschoen worden gehangen. Wandelstokken en de stokken van paraplu’s en parasols waren vaak voorzien van houtsnijwerk, duidelijk beïnvloed door Afrikaanse en Indiaanse kunst. Bij de haarkammen van parelmoer en ivoor was juist de invloed van Russische kunst zichtbaar.
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content: Purchased with the support of the F.G. Waller-Fonds
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content: Vrouw van opzij gezien, in een japon geïnspireerd op het kostuum van een Italiaanse abt. Op het hoofd een hoed. Croquis No. II uit Gazette du Bon Ton 1922, No. 10. Uitleg over de kleding op pagina "Description et explication des planches hors-texte et pages de croquis."
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content: blad: hoogte 243 mm x breedte 193 mm
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content: Aankoop uit het F.G. Waller-Fonds
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