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    notation: schilderen @nl
    notation: paint
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      content: c. 1910 - c. 1930
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      content: ca. 1910 - ca. 1930
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    begin of the begin: 1910-01-01T00:00:00Z
    end of the end: 1930-12-31T23:59:59Z
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      content: maker: anonymous, Japan
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    content: Kimono’s, spiegel van een mannenleven. Deze kimono’s geven een inkijkje in het leven van Japanse mannen in de jaren 1910 tot 1950, van de kindertijd tot de volwassen leeftijd. Het was voor Japan een periode van grote veranderingen, met toenemende industrialisering en politieke conflicten die uitmondden in de Tweede Wereldoorlog. Het leven moderniseerde, er was technologische vooruitgang en mensen kregen nieuwe hobby’s. Traditioneel was mannenkleding aan de buitenkant terughoudend en effen van kleur. Toch kon die kledij een medium zijn voor hele bijzondere voorstellingen. Alleen niet voor iedereen zichtbaar: de motieven die tijdens de kindertijd de buitenkant sierden, werden bij volwassen mannen aan het oog onttrokken. De versiering zat aan de binnenkant: op de lange onder kleding, of aan de binnenzijde van het jasje (haori). Deze verborgen afbeeldingen onthullen het leven van de eigenaren aan het begin van de 20ste eeuw. Kindertijd. Een kimono markeerde gebeurtenissen en stadia in een mannenleven. De kimono’s op de bovenste rij (behalve de twee gewone kimono’s aan de uiteinden) werden door jongens gedragen tijdens de religieuze ceremonie van miyamairi: het eerste bezoek als baby aan een Shinto-heiligdom. Deze gebeurtenis verliep volgens een vast ritueel, en was een belangrijk en vormend moment in het leven van een Japanse man. Jongenskleding omhulde de kinderen met beelden die onderdeel van hun identiteit moesten worden. De voorstellingen bevatten motieven die passend werden geacht voor geslacht en leeftijd: speelgoed, stoere hobby’s, verhalen van heroïsche veldslagen, technologie, etc. Ook bredere thema’s als militaire conflicten en nationalisme deden al vroeg hun intree in het dagelijks leven van kinderen. Sommige kimono’s combineerden traditioneel speelgoed met speelgoedwapens en -tanks. Volwassenheid. Wat vertelt de kimono over een man en zijn leven? Sommige mannen kozen voor onderwerpen uit de klassieke cultuur, zoals het No- of Kabuki-theater, terwijl anderen …
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subject of:
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subject of:
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    content: Kimonos: Mirrors of a Man’s Life. The kimonos on view here afford a glimpse into the lives of Japanese men from around the 1910s to the 1950s, from childhood to adulthood. This was a period of great change for Japan, marked by increasing industrialization and political conflicts culminating in the Second World War. Life modernized, technology advanced, and people took up new hobbies. Traditionally, men’s outer clothing tended to be reserved and a solid colour. Clothes could nevertheless also be a medium for highly unusual depictions which, however, were not visible to everyone. While motifs adorned the exterior of children’s garments, they were hidden from view in those worn by adult men. The decoration was found on the inside: on a long under garment, or the lining of a jacket (haori). This concealed imagery divulges the lives of the owners at the beginning of the 20th century. Childhood. A kimono marked events and stages in a man’s life. The kimonos on the top row (except the two everyday ones at either end) were worn by boys during the religious ceremony of miyamairi, namely an infant’s first visit to a Shinto shrine. This event followed a prescribed ritual and was an important and formative moment in the life of a Japanese man. Clothing for boys enveloped them in images that were to become part of their identity. The depictions included motifs that were considered gender and age appropriate: toys, manly hobbies, stories of heroic battles, technology, and so forth. Broader themes such as military conflicts and nationalism also filtered into children’s daily lives at an early stage. The textile designs of some kimonos combined traditional playthings with toy guns and tanks. Adulthood. What does a kimono tell about its owner and his life? Some men chose subjects from classical culture, such as No or Kabuki theatre, while others preferred themes from contemporary life, such as gramophone records or the new popular sport of baseball. Thus, these garments were a canva…
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label: brief text

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type: Name
content: Onderkimono voor mannen
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type: Identifier
content: AK-RAK-2011-11
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classified as:
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id: https://id.rijksmuseum.nl/22090
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classified as:
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notation: menswear
notation: herenkleding @nl
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id: https://id.rijksmuseum.nl/2201062
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notation: kimono
equivalent:
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  type: Type

type: Dimension
classified as:
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  notation: height
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value: 130.5
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type: Dimension
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  notation: width
  notation: breedte @nl
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value: 131
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id: https://id.rijksmuseum.nl/22088
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notation: silk
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id: https://id.rijksmuseum.nl/202539923
type: VisualItem

type: LinguisticObject
content: hoogte 130,5 cm x breedte 131 cm
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type: LinguisticObject
content: Schenking Jan Dees & René van der Star
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language:
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type: LinguisticObject
content: Hidari Jingoro with sculpture of his favourite geisha. Lightly padded man's nagajuban. No crests.
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created by:
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      content: 2009-12-06
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      content: 2009-12-06
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type: LinguisticObject
content: Gift of Jan Dees & René van der Star
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content: height 130.5 cm x width 131 cm
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id: http://hdl.handle.net/10934/RM0001.COLLECT.506655
type: HumanMadeObject

id: https://id.rijksmuseum.nl/260251
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id: https://id.rijksmuseum.nl/260238
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id: https://id.rijksmuseum.nl/26134
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id: https://id.rijksmuseum.nl/260239
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