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    content: A mighty sea eagle dominates the right section, contrasting with the left screen where a series of waves vanish into the distance. Ganryo was a painter of the Kishi School, whose adherents sought to create a vibrant form of naturalism that communicated the essence of their subjects. His work is characterised by an almost agitated style of brushwork, as in the waves which rise from the surface of the sea like dragon’s claws.
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type: LinguisticObject
content: zegel, links: ‘Utanosuke [...]’
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content: seal: ‘Utanosuke [...]’
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content: ink on paper
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content: Bruikleen van de Koninklijke Vereniging van Vrienden der Aziatische Kunst (aankoop Hotei Japanese prints, 2002)
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content: hoogte 171,5 cm x breedte 372,4 cm (Totale breedte in compleet uitgevouwen toestand) x breedte 63,4 cm (In opgevouwen toestand) x dikte 10,8 cm (Totale dikte in opgevouwen toestand) x dikte 1,9 cm (Dikte van ieder paneel)
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content: On loan from the Royal Asian Art Society in The Netherlands (purchase Hotei Japanese prints, 2002)
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content: …; from the dealer Hotei Japanese prints, Leiden, with support of the bequest of A. van Rossum, to the Vereniging van Vrienden der Aziatische Kunst;{Note RMA.} from whom on loan to the museum, 2002
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content: signatuur, links: ‘Utanosuke Ganryo’
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