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    content: Siem van den Hoonaard
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      content: beeldhouwer: Siem van den Hoonaard, Hillegersberg
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      content: sculptor: Siem van den Hoonaard, Hillegersberg
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      content: Siem van den Hoonaard (1900-1938), tombak, textiel, 1933
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    content: Links en rechts toont dit masker twee verschillende gezichtsuitdrukkingen. Danseres Gerie Folmer (1901–1983) droeg het in haar voorstelling Satyre op de moderne dans. De moderne dans ontstond begin 20ste eeuw en werd zó populair als alternatief voor klassiek ballet, dat Folmer er de draak mee kon steken. Populair waren ook theatermaskers, meestal van papier maché. Een metalen dansmasker, gemaakt door een kunstedelsmid, is echter uniek.
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      content: Satire on Modern Dance
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type: LinguisticObject
content: Siem van den Hoonaard (1900-1938), tombak, textile, 1933

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content: Each side of this mask portrays a different expression. The dancer Gerie Folmer (1901-1983) wore it for her performance Satire on Modern Dance. Modern dance arose early in the 20th century and became so popular as an alternative to classical ballet that Folmer could poke fun at it. Theatrical masks, often made from papier maché, were commonly used. However, a metal dance mask, made by a goldsmith, is unique.
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    content: Frans van Duijn, "Siem van den Hoonaard", De Blauwdotter (2012) 162, pp. 6-10 (algemeen)
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type: Name
content: Satyre op de moderne dans (Dansmasker voor Gerie Folmer)
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id: _:b11
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type: Dimension
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value: 32
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type: Dimension
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value: 25
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notation: tombak @nl
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id: https://id.rijksmuseum.nl/20291625
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type: LinguisticObject
content: tombak en textiel
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type: LinguisticObject
content: height 32 cm x width 25 cm
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type: LinguisticObject
content: Masker van dun plaatmetaal met twee verschillende expressieve gezichtsuitdrukkingen per gezichtshelft, uitgevoerd in opengewerkt tombakplaat en voorzien van een gevoerde draagbeugel.
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content: hoogte 32 cm x breedte 25 cm
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id: http://hdl.handle.net/10934/RM0001.COLLECT.750963
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