Foreign currency volatility and the market for French modernist art
id: https://id.rijksmuseum.nl/300316024
type: CreativeWork
about:
  id: https://id.rijksmuseum.nl/320130456
  type: DefinedTerm
  alternate name: moderne kunst
about:
  type: DefinedTerm
  alternate name: Art--France--Marketing--History--20th century
about:
  id: https://id.rijksmuseum.nl/320127678
  type: DefinedTerm
  alternate name: collectioneurs
about:
  type: DefinedTerm
  alternate name: Art--Collectors and collecting--History--20th century
about:
  type: DefinedTerm
  alternate name: Modernism (Art)--France--Foreign public opinion
about:
  id: https://id.rijksmuseum.nl/320129866
  type: DefinedTerm
  alternate name: kunstreceptie
about:
  id: https://id.rijksmuseum.nl/320150514
  type: DefinedTerm
  alternate name: kunstwereld
about:
  id: https://id.rijksmuseum.nl/320126556
  type: DefinedTerm
  alternate name: economie
about:
  id: https://id.rijksmuseum.nl/320130217
  type: DefinedTerm
  alternate name: marketing
about:
  type: Place
  alternate name: Frankrijk
abstract: "Foreign Currency Volatility and the Market for French Modernist Art examines how the collapse of the French franc in the decades following the First World War activated powerful 'push' and 'pull' economic forces that compelled French art collectors to monetise their collections while simultaneously elevating the purchasing power of international art collectors. These factors are shown to have played a significant, and previously under-recognised role, in the large-scale translocation of French modernist art that radically accelerated its commercial and critical reception across the globe and positioned it at the apex of the newly established hierarchy of modern art"--Provided by publisher.
author:
  id: https://id.rijksmuseum.nl/310211984
  type: Person
  alternate name: Challis, David M.
language: English
  id: http://id.loc.gov/vocabulary/languages/eng
  type: Language
  name: Engels @nl
is part of: Studies in the history of collecting & art markets
  type: CreativeWorkSeries
position: volume 12
subject of:
  type: Statement
  additional type:
    id: http://vocab.getty.edu/aat/300195187
  text: Economic Disruption and the Monetisation of French Collections -- Samuel Courtauld as Private Collector and Public Donor -- Albert Barnes as Currency Opportunist and 'Visionary Art Educator' -- Kojiro Matsukata and the Economics of Rodin in Japan -- Institutional Inertia and the National Gallery of Victoria in Australia -- Assis Chateaubriand at the Museu de São Paulo and the Turn Toward Brazilian Modernism.
temporal coverage: 1900-1999
work example:
  id: https://id.rijksmuseum.nl/301316024
  type: ProductModel

type: PropertyValue
property ID: NL-AmRIJ
value: 316024